It's safe to say that Onetribe would not be the company that it is today without our wood production. From my initial domestic production of wood basics, to being one of the first companies to start making our overseas produced ornately carved styles in the same safe woods we used in our domestic workshop, to our innovative and elaborate mixed media projects, wood has been a staple at this company for almost 15 years.
Just as our world is constantly growing and changing, so is any small business, and the time has come to say farewell to wood. Our wood workshop employee James Ginnell, who's been with us for years, will be leaving our wood shop soon and that leaves me with a decision to make.
I've realized during my 14 years working in natural body jewelry that many stones that I and my customers love are not often collected. Unlike the crystals popular with collectors, most agates, jaspers, jades, and others stones form in erratic sizes and tend to show their beauty only when opened to reveal the natural colors and patterns hidden within. For this reason, I have created a unique new way to collect stone specimens: Specimen Coins.
Stone has had enormous impact on us both creatively and technologically. Minerals gave us the first chance to paint our lives with color and story, and take it with us for others to see. It turns out that aside from things which are alive (birds, bugs, plants), colors in nature, and particularly jewel tones, are actually very rare. Most vibrant colors are either the result of environmental light play, such as sunsets or the color of a lagoon, or they are biological - flowers, butterflies, etc. In either of these cases, the color is not permanent. It is location specific, temporary, or sadly, it dies.
Amber is the fossilized tree resin of now-extinct trees which grew millions of years ago. It is a material which has been highly valued by cultures around the world, and it has been used for tens of thousands of years in jewelry and craft objects. Amber is one of our favorite materials to carve, and we produce several styles of amber plugs and ear weights using this gorgeous ancient material.
These plugs are one of my favorite Southeast Asian styles and this specific pair is one of my prized collection pieces. I love the shape, and the patina these have taken on over the years is exquisite. These plugs are worn by women of the Karen, a collection of ethnic sub-groups (sometimes referred to as "Hill Tribes") from the Golden Triangle region of Thailand, Laos, and Myanmar (Burma).
The ears had immense significance to the Maya. They were believed to be conduits for spiritual energy, and thus ear flares had considerable value and importance in culture. Forms of obsidian, shell, ceramic and stone were worn in ear perforations. Some designs for daily wear are similar to standard solid plugs or thin tunnels of today, but the most prolific reminders of Maya body modification are the large ear flares shown in sculpture and craft.
Ear flares have been part of human expression and body modification throughout time and across cultures. The flare’s physical purpose was to stretch the skin of the earlobe into an elongated circular shape; depending on each culture’s standards, this modification could meet physical standards of beauty, represent traits of character, or reflect a combination of the two. The material used to make the ear flare also played a large role in the owner’s social prestige. In the Mayan world, an ear flare derived from jade, a mineral more precious than gold to the Mayan people, was a display of wealth and power by the elite of the society.
Labradorite is a low key gray stone with a big surprise. When cut correctly for proper angle, high quality material displays a bright flash of color(s). Colors from the blue and yellow-orange portions of the visible light spectrum jump forth from the darker base stone. Only a small percentage of all of the labradorite mined is of high enough quality for our body jewelry.
Inspired by my love for ethnobotany, the study of the human relationship with plants, the Somnia ear weights are a tribute to the history of Papaver somniferum, the opium poppy. This controversial plant has seen ancient ritual and medicinal use, been used as the economic basis for war and the addiction and enslavement of an entire country, and most recently has provided medical science with the single known natural source for lifesaving opiate medications. Follow the story of this beautiful flower from ancient use to the inspiration for our new Somnia ear weights.
Three pairs of bronze ear weights with select cuts of "Red Creek Jasper" reminiscent of the surface of Jupiter's moon "Europa." I've been working on this weight design concept for well over a year now, and I'm thrilled to finally make them available in their full size glory (I previously released several half-sized test pieces). Europa represents the first limited quantity run in a continuing release schedule of unique stones set in these beautiful bronze ear weights.
This project was commissioned by a customer interested in reproductions of a pair of Mayan aventurine square front ear flares from my antiquities collection. While making them to his size with modern flares, I stayed true to the cultural references with Guatemalan jadeite material and identical front face contours matching the antique plugs.
Jewelry Size | Flare Size | Wearing Length |
1.0mm (18g) | 1-1.5mm | 9mm |
1.3mm (16g) | 1-1.5mm | 9mm |
1.5mm (14g) | 1-1.5mm | 9mm |
2.0mm (12g) | 1-1.5mm | 9mm |
2.5mm (10g) | 1-1.5mm | 9mm |
3.0mm (8g) | 1-1.5mm | 9mm |
4.0mm (6g) | 1-1.5mm | 9mm |
5.0mm (4g) | 1-1.5mm | 9mm |
6.0mm | 1-1.5mm | 9mm |
6.5mm (2g) | 1-1.5mm | 9mm |
7.0mm (1g) | 1-1.5mm | 9mm |
8.0mm (0g) | 1-1.5mm | 9mm |
9.0mm (00g) | 1-1.5mm | 9mm |
10mm | 1-1.5mm | 10mm |
11mm (7/16") | 1-1.5mm | 10mm |
12mm | 1-1.5mm | 10mm |
13mm (1/2") | 1-1.5mm | 10mm |
14mm (9/16") | 1-1.5mm | 10mm |
15mm | 1-1.5mm | 10mm |
16mm (5/8") | 1-1.5mm | 10mm |
17mm (11/16") | 1-1.5mm | 10mm |
18mm | 1-1.5mm | 10mm |
19mm (3/4") | 1-1.5mm | 11mm |
20mm (13/16") | 1-1.5mm | 11mm |
21mm | 1-1.5mm | 11mm |
22mm (7/8") | 1-1.5mm | 11mm |
23mm | 1-1.5mm | 11mm |
24mm (15/16") | 1-1.5mm | 11mm |
25mm | 1-1.5mm | 11mm |
26mm (1") | 1-1.5mm | 11mm |
27mm (1 1/16") | 1-1.5mm | 12mm |
28mm | 1-1.5mm | 12mm |
29mm (1 1/8") | 1-1.5mm | 12mm |
30mm (1 3/16") | 1-1.5mm | 12mm |
31mm | 1-1.5mm | 12mm |
32mm (1 1/4") | 1-1.5mm | 12mm |
33mm (1 5/16") | 1-1.5mm | 12mm |
34mm | 1-1.5mm | 12mm |
35mm (1 3/8") | 1-1.5mm | 12mm |
36mm | 1-1.5mm | 12mm |
37mm (1 7/16") | 1-1.5mm | 12mm |
38mm (1 1/2") | 1.5-2mm | 13mm |
39mm | 1.5-2mm | 13mm |
40mm (1 9/16") | 1.5-2mm | 13mm |
41mm (1 5/8") | 1.5-2mm | 13mm |
42mm | 1.5-2mm | 13mm |
43mm (1 11/16") | 1.5-2mm | 13mm |
44mm (1 3/4") | 1.5-2mm | 13mm |
45mm | 1.5-2mm | 13mm |
46mm (1 13/16") | 1.5-2mm | 13mm |
47mm | 1.5-2mm | 13mm |
48mm (1 7/8") | 1.5-2mm | 13mm |
49mm (1 15/16") | 1.5-2mm | 13mm |
50mm | 1.5-2mm | 13mm |
51mm (2") | 1.5-2mm | 13mm |
Wearing length is the area of the jewelry that fits inside your piercing.
Overall length (sometimes confused with wearing length) is the total measurement of the jewelry from face to face, including any additional flare or face area.
Diagram of jewelry styles with wearing length marked in green and overall length marked in red.
1. Flat face double flared plug. Wearing length is measured from the inside of the flare edges. Overall length is measured from face to face.
2. Convex face double flared plug. Wearing length is measured from the inside of the flare edges. Overal length is measured from face to face.
3. Flat face double flared plug with flat flares. Wearing length is measured from inside the flare edges (the piercing cannot rest on the flat flare areas). Overall length is measured face to face.
4. Trumpet flare style plug. The dotted line denotes where the wearing surface ends on the front, because the larger portion of the slope cannot fit inside the piercing. Wearing surface is measured from inside the rear flare edge to the area on the front flare with the same diameter measurement. Overall length is measured from face to face.
5. Sloped single flare plug. Wearing length is measured from where the slope of the flare ends to the end of the plug. Overall length is measured from face to face.
6. Top-hat style single flare with convex face. Wearing length is measured from the inside flare corner to the end of the plug. Overall length is measured from face to face.
7. Top-hat style single flare with curved rear. Wearing length is measured from the inside flare corner to the beginning of the curve (the piercing cannot rest on the slope). Overall length is measured from face to face.
8. Top-hat style single flare with groove for an o-ring. Wearing length is measured from the inside flare corner to the groove (the piercing cannot rest on the groove). Overall length is measured from face to face.
9. Labret (round or oval) with a standard concave t-back. Wearing length is measured from where the wearing shaft meets the wing to the end of the flat portion (the piercing cannot rest on the slope).
Overall length is always longer than the wearing surface because it includes other sections of the jewelry that do not rest inside the piercing. If you are ordering a piece of jewerly and you specify an overall length instead of a wearing length, your jewelry will not fit properly. Order using "overall length" at your own risk. Knowing your ideal wearing length, which can change as you stretch your piercings, ensures you're able to order jewelry that will fit well from every vendor, every time.